Sunday, August 26, 2012

A Feast for Crows by George R. R. Martin (2005)

Thanks to the always amazing JLowe, I have now read four of the five available Songs of Ice and Fire books (aka that Game of Thrones series), having just finished all 1000+ pages of A Feast for Crows (2005). I've yet to see any of the TV show, but I hear it is awesome and I'm rather excited to see scheming and ambitious Tommy Carcetti as the scheming and ambitious Petyr Littlefinger in what has to be one of the best casting decisions of all time.

Once again it is rather hard to write about this next installment in Martin's increasingly complicated and yet just as exciting series without giving away big chunks of the plot. I can tell you that here Martin focuses on the characters in Westeros and King's Landing and we don't hear much at all from the Wall or Daenerys. As fans of the series will guess, this takes away focus from the supernatural elements of the story, but it gives us plenty of time to further develop the political "game of thrones" and the complex motivations of our characters. While there is not nearly as much death and tragedy in this volume, there is plenty of darkness. And I'm guessing that when I borrow Book 5 from John (hey John, can I borrow book five from you?), I will get my fill of dragons and Others and (hopefully), Tyrion.

Oh, and if you are wondering what is taking so long between posts, I'm going to blame it on a combination of buying this new house, traveling for work, taking on very long books like this one, and these guys. Fern and Loretta are so cute that they make it hard to find time to read or write blog posts!

Sunday, August 05, 2012

The Violent Bear it Away by Flannery O'Connor (1960)

The third and final book in the 3 by Flannery O'Connor collection that I've been working my way through is The Violent Bear it Away (1960), O'Connor's second and final novel.

Tarwater is a 14 year-old orphan who was born right after the car wreck that killed both of his parents and his grandmother. He is first taken in by his mother's brother, Rayber, but shortly afterward is kidnapped by his great-uncle, a man who lives in an isolated shack in the country and who believes he is a prophet who is destined to baptize baby Tarwater and raise him to carry on his prophecy after he dies. Oddly enough, the great-uncle did the same thing to Rayber back when he was seven, and although Rayber was only there for a few days before his father brought him back home, it greatly affected his childhood and led to him completely rejecting God as an adult. Rayber tries to get little Tarwater back, and brings a social worker with him, but the great-uncle shoots at them and they run away (and eventually get married and have a mentally handicapped son named Bishop). Rayber doesn't try to rescue his nephew again, and Tarwater isn't free of his great-uncle until he dies when Tarwater is 14. That sets off the action of the novel and the struggle of both men to reconcile their experiences with the crazy uncle, their mutual suspicion that they might actually be prophets, and their need for one another

Unlike Wise Blood, which was a novel made up of several mashed together short stories, only the first part of The Violent Bear it Away started as a discrete short story, the rest was written intentionally in the longer novel form. This makes for a more consistent and focused story, which I liked, but it takes away the wild side roads that come along in Wise Blood and O'Connor's short stories. Because the novel was so focused on just four characters, we miss out on many of the sad and funny and disturbing and awesome minor characters in O'Connor's other work. Still, the structure of the novel and the focused pursuit of its themes make this a worthwhile read.