Being half Danish, I've always had a soft spot for fairy tale-er Hans Christian Andersen. About a year ago I won a big box of old books through the Forgotten Bookmarks blog (such a fun blog -- definitely worth adding to your reader), and in it was a copy of Andersen's Fairy Tales by Hans Christian Andersen, translated by Mrs. E. V. Lucas and Mrs. H. B. Paull (circa 1953*).
This was an interesting collection because while it featured some familiar stories ("The Ugly Duckling," "The Steadfast Tin Soldier," "The Shepherdess and the Sweep," and one of my all-time favorites "The Snow Queen"), most of the 22 stores in the book were new to me. Many of these feature important (and harsh) lessons on the importance of being humble and kind. We get a lot of inanimate objects (like the tin soldier or the porcelain shepherdess) acting like humans and learning those lessons for us. My favorite new-to-me story in the collection is the rather odd tale "The Old Street Lamp." Do yourself a favor and click on that link -- it will only take a few minutes to read it, and how could you possibly resist a story that begins "Have you ever heard the story of the old Street Lamp?
It's really not very amusing, but you might listen to it
for once."
Oh, and if you really want to have some fun, click here for some amazing illustrations of Andersen's stories from 1920s Japan.
* It is hard to pinpoint a publication year on this undated volume, since this translation has been reproduced about a million times. It was originally published in 1945 (although this isn't the first edition since it isn't illustrated), and there is a dedication ("1953 - Carole from Mother"), so this volume must have come out sometime between 1945 and 1953. I think this was originally published as a set with a volume of Grimm's fairy tales. And that's all I had patience to find -- I'm an archivist, not a cataloguer!
Friday, July 05, 2013
Friday, June 28, 2013
Quiet: The Power of Introverts in a World That Can't Stop Talking by Susan Cain (2012)
This might surprise you, but the archives / library profession tends to draw a lot of introverts. It's true! And because of that, Susan Cain's new book Quiet: The Power of Introverts in a World That Can't Stop Talking (2012) has become de facto required reading among my colleagues and friends.
Cain synthesizes scientific and sociological research, case studies, and personal anecdotes into an exploration of the introvert/extrovert continuum in school, romantic relationships, work, parenthood, and life in general.
I'm a definite introvert who has always talked a lot (some might say too much) and loudly (maybe too loudly) and who doesn't mind small talk and meeting new people. I've always felt before like my talkativeness might invalidate my introvert card, but reading Cain's book has given me an appreciation for all the different flavors of introversion out there.
The book also points out how the deck is stacked against introverts in modern America -- in the workplace, the media, and our school system, extroversion is seen as a positive and introversion as something to be hidden and improved. Cain describes study after study that shows that a more balanced system ends up being more successful in every situation. Make room for the introverts, jerks!
A few qualms: Some of the sections seem a little hurried; the chapter about
introverts in other cultures that only focused on Asians seemed to delve
a little into "all Asians are super smart" territory; I feel like she missed a chance to talk about personality and gender (that introverted tendencies are more often encouraged or tolerated in women than men); and I wish she spent more time exploring how introverts interact online (I know some of the quietest people I know are the biggest posters on Facebook).
Still, I enjoyed reading this book and I feel like it gave me some insight into my own personality and into the personalities of the introverts and extroverts that I love, am related to, work with, and encounter. Even if you aren't a librarian or an introvert, this is worth picking up.
Friday, June 14, 2013
Born Standing Up: A Comic's Life by Steve Martin (2007)
Our latest plan for the fabulous DAFFODILS book club was to read something that wasn't sad or tragic. Now, at first glance one might think that a memoir by a world-famous comedian would fit that bill, but while Born Standing Up by Steve Martin (2007) certainly has a lot of comedy in it, there is (like there is with a lot of comedians) also a lot of crappy childhood, self-doubt, and depression in there to back it up.
This biography covers Martin's life from his childhood through the filming of The Jerk and the self-imposed ending of his stand up career. Martin was born in Waco but grew up in California and had the extremely Californian first job of selling programs at Disneyland when he was ten. His interest in magic lead him from that auspicious beginning to working in one of the magic stores at the park demonstrating tricks to bring in customers and make sales. As he grew, his urge to perform grew with him and when he graduated from high school he took a job performing in the melodramas at Knott's Berry Farm and performing his vaudeville-like comedy/banjo/magic act at small clubs in the area. As the counterculture grew in the 1960s, Martin's interest in expanding and changing his comedy changed accordingly. After numerous false starts and dashed hopes and thousands and thousands of shows on the road, Martin built up a solid audience and eventually landed the spots on the Tonight Show and Saturday Night Live that would rocket him into fame and ultimately seal the casket on his stand up career.
Martin's biography gives us a lot of detail and a certain amount of introspection, but also carefully holds the reader at a safe distance. Steve Martin is not an open, revealing man, even when he is trying to explore his own past. This private nature makes the revealing parts of the book more meaningful than they would be in a standard tell-all celebrity biography, and in the end his reserve makes me like him even more.
And for a little taste of the good stuff, check this out:
This biography covers Martin's life from his childhood through the filming of The Jerk and the self-imposed ending of his stand up career. Martin was born in Waco but grew up in California and had the extremely Californian first job of selling programs at Disneyland when he was ten. His interest in magic lead him from that auspicious beginning to working in one of the magic stores at the park demonstrating tricks to bring in customers and make sales. As he grew, his urge to perform grew with him and when he graduated from high school he took a job performing in the melodramas at Knott's Berry Farm and performing his vaudeville-like comedy/banjo/magic act at small clubs in the area. As the counterculture grew in the 1960s, Martin's interest in expanding and changing his comedy changed accordingly. After numerous false starts and dashed hopes and thousands and thousands of shows on the road, Martin built up a solid audience and eventually landed the spots on the Tonight Show and Saturday Night Live that would rocket him into fame and ultimately seal the casket on his stand up career.
Martin's biography gives us a lot of detail and a certain amount of introspection, but also carefully holds the reader at a safe distance. Steve Martin is not an open, revealing man, even when he is trying to explore his own past. This private nature makes the revealing parts of the book more meaningful than they would be in a standard tell-all celebrity biography, and in the end his reserve makes me like him even more.
And for a little taste of the good stuff, check this out:
Wednesday, May 29, 2013
Circuits of the Wind: A Legend of the Net Age, Volume 1 by Michael Stutz (2011)
I got a copy of Circuits of the Wind: A Legend of the Net Age, Volume 1 by Michael Stutz (2011) through the LibraryThing Early Reviewers program. Somehow, its algorithm looked into my past and realized that I was once a modemer and that parts of this novel might click with me.
Stutz gives us the story of Raymond Valentine, his childhood, his family, his hobbies, his life, and the impact that the new-on-the-scene home computer had on all of them. Volume one starts us at the beginning, with a young Raymond fascinated by telephones, experimenting with chemicals, and immersing himself in books. Soon video games and then home computers hit the scene, and Raymond knows he must have one. He fills notebooks with practice programs before he ever gets a computer of his own, and once he does his friend's parents are asking him for help and advice. And then he gets his modem hooked up. And after hours of phreaking the system to get the codes to make free long-distance calls, the world's BBSs are his and he is no longer the geeky guy at school with no friends, instead he is The Wanderer with lots of friends and secrets, online.
I was certainly no mega-geek, but my family got a Commodore VIC-20 in the early 80s and my sisters and I spent a lot of time carefully typing in programs to get a little ball to bounce around the TV screen and playing shareware games from audio cassettes (I distinctly remember being fascinated by one that analyzed your biorhythms even though I had no idea what a biorhythm even was). Later I moved on to text based adventure games (Go left. Get trunk. Look trunk. Get key. Syntax error.), then Prodigy, and then, when I was about 15, I discovered it: modeming.
There was a local BBS in Lincoln, where I am from, called Cyberspace. It had ten lines, which meant 10 people could be on at once. You could chat live with the other people who were online or read and contribute to discussion boards. They also had some basic games, and a once a week live trivia that was hard to get into since the lines would all fill up. My handle was Omar (named after Omar and the Howlers, but mostly because I thought the name was funny). It kind of hid the fact that I was a girl, which sometimes worked to my advantage. By the time I was 16 a bunch of Cyberspace modemers would get together for midnight coffee on Saturday nights. We got kicked out of two different Perkins restaurants, and eventually moved to a rather shitty diner by the airport and later a late-night cool coffee shop downtown. I was working at a Barnes and Noble at the time and I'd get off at midnight and head straight to modemer coffee. I was in heaven -- all these people were friendly and fun and nothing like the people in my high school or my family. I was one of the only women and by far the youngest person, but I'd usually go with a good male friend who was a couple years older than me and I never had anything wildly inappropriate happen. When Stutz described Raymond's feelings of belonging and knowing something that his friends at school didn't know, I knew exactly what he meant.
However, while Stutz can bring back the era and write some compelling characters, he often gets lost in a lyrical narrative style that does not do his novel any favors:
The men we knew so many years ago as boys are far away. With a hand we wave to nothing but the wind, our cries have been deserted by the deaf, the blind will never see; a lion sleeps in gloom and there is a wounded whale plunging far below the ocean depths. (p. 169).
There was a change and it was sensed in confounding, unspoken ways: it was in the steady tick of time, it was in a speck of tockled time that ticked, and it was in the scattered moments that formed the broken sediment of ages -- the little things that slipped away, and sunk, and had drifted down into the rimings of a dark and deeper past. (p. 203)
In fact, the first chapter of the book is pages and pages of this lyrical style and I almost had to put the whole thing down. I'm glad I persevered, because there is a lot of good here, but I wish that Stutz had had an editor that would call him on his poetic prose and get him to tone it down a notch.
One other quibble: Raymond grows up in a state called Sohola, which is obviously Ohio (a teacher even refers to shooting of protesting students at "Sohola's Duke State University"). I don't have any idea why Stutz made up a fake state name when the rest of the book takes place in reality, and none of the other states have fake names.
Still, if you can get past a sprinkling of purple prose, this book is worth checking out if you have some memories of life before the World Wide Web. Not strongly recommended, but it did help scratch an itch I didn't even know I had...
Stutz gives us the story of Raymond Valentine, his childhood, his family, his hobbies, his life, and the impact that the new-on-the-scene home computer had on all of them. Volume one starts us at the beginning, with a young Raymond fascinated by telephones, experimenting with chemicals, and immersing himself in books. Soon video games and then home computers hit the scene, and Raymond knows he must have one. He fills notebooks with practice programs before he ever gets a computer of his own, and once he does his friend's parents are asking him for help and advice. And then he gets his modem hooked up. And after hours of phreaking the system to get the codes to make free long-distance calls, the world's BBSs are his and he is no longer the geeky guy at school with no friends, instead he is The Wanderer with lots of friends and secrets, online.
I was certainly no mega-geek, but my family got a Commodore VIC-20 in the early 80s and my sisters and I spent a lot of time carefully typing in programs to get a little ball to bounce around the TV screen and playing shareware games from audio cassettes (I distinctly remember being fascinated by one that analyzed your biorhythms even though I had no idea what a biorhythm even was). Later I moved on to text based adventure games (Go left. Get trunk. Look trunk. Get key. Syntax error.), then Prodigy, and then, when I was about 15, I discovered it: modeming.
There was a local BBS in Lincoln, where I am from, called Cyberspace. It had ten lines, which meant 10 people could be on at once. You could chat live with the other people who were online or read and contribute to discussion boards. They also had some basic games, and a once a week live trivia that was hard to get into since the lines would all fill up. My handle was Omar (named after Omar and the Howlers, but mostly because I thought the name was funny). It kind of hid the fact that I was a girl, which sometimes worked to my advantage. By the time I was 16 a bunch of Cyberspace modemers would get together for midnight coffee on Saturday nights. We got kicked out of two different Perkins restaurants, and eventually moved to a rather shitty diner by the airport and later a late-night cool coffee shop downtown. I was working at a Barnes and Noble at the time and I'd get off at midnight and head straight to modemer coffee. I was in heaven -- all these people were friendly and fun and nothing like the people in my high school or my family. I was one of the only women and by far the youngest person, but I'd usually go with a good male friend who was a couple years older than me and I never had anything wildly inappropriate happen. When Stutz described Raymond's feelings of belonging and knowing something that his friends at school didn't know, I knew exactly what he meant.
However, while Stutz can bring back the era and write some compelling characters, he often gets lost in a lyrical narrative style that does not do his novel any favors:
The men we knew so many years ago as boys are far away. With a hand we wave to nothing but the wind, our cries have been deserted by the deaf, the blind will never see; a lion sleeps in gloom and there is a wounded whale plunging far below the ocean depths. (p. 169).
There was a change and it was sensed in confounding, unspoken ways: it was in the steady tick of time, it was in a speck of tockled time that ticked, and it was in the scattered moments that formed the broken sediment of ages -- the little things that slipped away, and sunk, and had drifted down into the rimings of a dark and deeper past. (p. 203)
In fact, the first chapter of the book is pages and pages of this lyrical style and I almost had to put the whole thing down. I'm glad I persevered, because there is a lot of good here, but I wish that Stutz had had an editor that would call him on his poetic prose and get him to tone it down a notch.
One other quibble: Raymond grows up in a state called Sohola, which is obviously Ohio (a teacher even refers to shooting of protesting students at "Sohola's Duke State University"). I don't have any idea why Stutz made up a fake state name when the rest of the book takes place in reality, and none of the other states have fake names.
Still, if you can get past a sprinkling of purple prose, this book is worth checking out if you have some memories of life before the World Wide Web. Not strongly recommended, but it did help scratch an itch I didn't even know I had...
Sunday, May 26, 2013
The Family Handyman Whole House Repair Guide edited by Ken Collier (2012)
Now that I am a homeowner (one whole year, whoop!), I have a good excuse to read this kind of book, although I'll admit that I've always had a fascination for checking out "how to" and "helpful hint" books even when I didn't have anything to which I could apply my new found knowledge. In fact, even now that I own a house, I'd probably only attempt a small subset of these repairs myself -- things that involve an investment in tools, a large investment of time, or that could go horribly wrong if they aren't done right are the kinds of things that I'd rather hire someone to do for me. Still, this kind of book is helpful even for book-learning handywomen like me since it gives me a good idea of what would be involved in a wide variety of repairs even if I don't end up doing the repair myself.
This book is well organized with a broad coverage of common repairs taken from the pages of Family Handyman magazine. Each repair is nicely illustrated and gives you a good idea of the tools, skills, and time needed to complete it. While all of this information is also available for free on the old internet, I like having a reference book like this to refer to, especially if I need to use it for a project away from the computer. There are a lot of books like this out there, but this one did the trick for me.
This book is well organized with a broad coverage of common repairs taken from the pages of Family Handyman magazine. Each repair is nicely illustrated and gives you a good idea of the tools, skills, and time needed to complete it. While all of this information is also available for free on the old internet, I like having a reference book like this to refer to, especially if I need to use it for a project away from the computer. There are a lot of books like this out there, but this one did the trick for me.
Monday, May 13, 2013
The Reavers of Skaith by Leigh Brackett (1976)
To round out the three-part adventures of Eric John Stark on the planet of Skaith (previously reviewed here), the ever-wonderful Leigh Brackett brings us The Reavers of Skaith (1976). While there is no way that the cover could match the perfect science fiction vision of the second book in the series, the third volume is much more satisfying both in terms of its action and in its use of the main female character, the seer Gerrith, who is once again part of the action and not just along for the ride.
Stark and his compatriots find themselves betrayed at the start of volume three when the freelancing starship captain who had promised to take their delegation back to Pax double-crosses them, ransoms the party, and begins attacking and pillaging the defenseless planet.
As an off-worlder, Stark is seen by many as the cause of their misfortunes, and while he sets off on a cross-planet quest to reach a transmitter and call for inter-galactic help, he and his followers find themselves besieged by all forms of the inventively weird people that inhabit the dying planet of Skaith.
And Skaith, by the way, is really really dying now. Summer was extra short and winter blows into the far north and south with a vengeance. Crops die and workers and Farers surge into the cities and the fertile belt around the equator looking for food and shelter. Looks like Stark's ships and promise of transport to another planet are really going to come in handy for the people of Skaith -- if they can just hold on that long.
Brackett's combination of old-school science fiction adventure and 1970s environmentalism doesn't disappoint. Even though the second volume in this trilogy was a little weak, I'd highly recommend all three to any science fiction fan. And while the connections were a little lighter in the second volume, I stand by my assertion that these novels must have been an inspiration for George R. R. Martin. Winter is coming, indeed.
Stark and his compatriots find themselves betrayed at the start of volume three when the freelancing starship captain who had promised to take their delegation back to Pax double-crosses them, ransoms the party, and begins attacking and pillaging the defenseless planet.
As an off-worlder, Stark is seen by many as the cause of their misfortunes, and while he sets off on a cross-planet quest to reach a transmitter and call for inter-galactic help, he and his followers find themselves besieged by all forms of the inventively weird people that inhabit the dying planet of Skaith.
And Skaith, by the way, is really really dying now. Summer was extra short and winter blows into the far north and south with a vengeance. Crops die and workers and Farers surge into the cities and the fertile belt around the equator looking for food and shelter. Looks like Stark's ships and promise of transport to another planet are really going to come in handy for the people of Skaith -- if they can just hold on that long.
Brackett's combination of old-school science fiction adventure and 1970s environmentalism doesn't disappoint. Even though the second volume in this trilogy was a little weak, I'd highly recommend all three to any science fiction fan. And while the connections were a little lighter in the second volume, I stand by my assertion that these novels must have been an inspiration for George R. R. Martin. Winter is coming, indeed.
Wednesday, May 01, 2013
The Marriage Plot by Jeffrey Eugenides (2011)
Back in 2008, the lovely Joolie lent me a copy of Jeffrey Eugenides' book Middlesex, and I liked it quite a bit. Five years later, a friend at work lent me her copy of Eugenides' most recent book, The Marriage Plot (2011). I've got quite the Eugenides racket going on...
The Marriage Plot is, much like the plot it references, a bit of a love triangle. Madeleine, Leonard, and Mitchell are seniors at Brown in 1982. Madeleine is in love with Leonard, the very smart and interesting scholarship student from Portland, who is also manic depressive. Mitchell is in love with Madeleine, the super smart and beautiful, upper-class English major from New Jersey. No one is really in love with Mitchell, the super smart religion major from Michigan who is exploring his spiritual side. The book alternates between all three characters' perspectives, spending the majority of the time with Madeleine and Mitchell, and takes us into their first year as "adults" after graduation.
While I liked Middlesex quite a bit, I'm more mixed on The Marriage Plot. This book is peppered with references to literature, literary theory, and academia. I can see how that would be a turnoff for some readers, but I found it pretty well done and consistent with the Ivy League intellectualism of the main characters. What was a bit of a turnoff for me was the narcissism, elitism, and general unlikability of all three of our heroes. They are all, of course, meticulously developed, well-written, and sympathetic, but spending an entire book with them takes a lot of energy.
Honestly, much of the narcissism and unlikability of these characters is because they are in their early twenties, and part of my like/dislike of the book has to do with all the uncomfortable early twenties feelings it brought up in me. I had a good time in college, particularly my senior year when I finally felt comfortable and smart and had some friends, but it was also an awkward time, fraught with self-consciousness and bad (or no) dates. That same kind of intellectual openness and romantic confusion is splayed out all over The Marriage Plot, and it rings very true. Having lived with and loved more than one person diagnose with manic-depression made the portrayal of the disease and those who live with it and who live with them equally filled with memory bombs.
So maybe the weird feelings about this book just have to do with me and my weird life, but I'd still recommend it to frustrated English majors and anyone who has finally bid their twenties goodbye.
Now all I need to do is find someone who can loan me The Virgin Suicides, and I can be a Eugenides completest!
The Marriage Plot is, much like the plot it references, a bit of a love triangle. Madeleine, Leonard, and Mitchell are seniors at Brown in 1982. Madeleine is in love with Leonard, the very smart and interesting scholarship student from Portland, who is also manic depressive. Mitchell is in love with Madeleine, the super smart and beautiful, upper-class English major from New Jersey. No one is really in love with Mitchell, the super smart religion major from Michigan who is exploring his spiritual side. The book alternates between all three characters' perspectives, spending the majority of the time with Madeleine and Mitchell, and takes us into their first year as "adults" after graduation.
While I liked Middlesex quite a bit, I'm more mixed on The Marriage Plot. This book is peppered with references to literature, literary theory, and academia. I can see how that would be a turnoff for some readers, but I found it pretty well done and consistent with the Ivy League intellectualism of the main characters. What was a bit of a turnoff for me was the narcissism, elitism, and general unlikability of all three of our heroes. They are all, of course, meticulously developed, well-written, and sympathetic, but spending an entire book with them takes a lot of energy.
Honestly, much of the narcissism and unlikability of these characters is because they are in their early twenties, and part of my like/dislike of the book has to do with all the uncomfortable early twenties feelings it brought up in me. I had a good time in college, particularly my senior year when I finally felt comfortable and smart and had some friends, but it was also an awkward time, fraught with self-consciousness and bad (or no) dates. That same kind of intellectual openness and romantic confusion is splayed out all over The Marriage Plot, and it rings very true. Having lived with and loved more than one person diagnose with manic-depression made the portrayal of the disease and those who live with it and who live with them equally filled with memory bombs.
So maybe the weird feelings about this book just have to do with me and my weird life, but I'd still recommend it to frustrated English majors and anyone who has finally bid their twenties goodbye.
Now all I need to do is find someone who can loan me The Virgin Suicides, and I can be a Eugenides completest!
Thursday, April 11, 2013
The Hounds of Skaith by Leigh Brackett (1974)
After reading and loving The Ginger Star, I did the unusual (for me) move of immediately ordering the other two books in the series. While in some ways the second volume, The Hounds of Skaith by Leigh Brackett (1974), didn't quite live up to the first entry, it far surpassed every other book on the face of the planet with the awesomeness of its cover. There is a lot going on there, but it all makes perfect sense after you read the book.
As you may remember from the first volume, Eric John Stark (a human who was raised by the equivalent of wolves in an abandoned mining colony on Mars) travels to the dying planet of Skaith to rescue his foster father, Ashton. He does just that in volume 1, and now must lead his party back to the south of the planet to try and intercept a ship home before the leaders send them all away and destroy the space ports. Among his companions are Stark's lover Gerrith, a prophetess from Skaith; and a pack of scary Northhounds, vicious psychic dogs trained to kill with fear. Stark leads the group through dangers both environmental and Skaithian using his skills of independence, strength, confidence, and empathy. Along the way we are introduced to a whole new host of inhabitants of a planet that has grown diverse as living creatures struggle to reach into the few niches left for survival.
All that is perfectly great, and Brackett is just as good as writing sci-fi based adventure stories as ever, but where volume 2 disappoints is in the lack of involvement with Gerrith, the Skaithian seer who is a well-rounded and important female character in the first volume. It isn't because she doesn't feature in the story, because she is along for the ride almost the entire time, but somehow she is left out of almost all the dialogue and plot points except for a couple nights in bed with Stark and a brief scene at the end of the book. We can be thankful at least that that scene transitions us into the possibility of more Gerrith in volume 3. Let's hope that Brackett doesn't forget about her!
As you may remember from the first volume, Eric John Stark (a human who was raised by the equivalent of wolves in an abandoned mining colony on Mars) travels to the dying planet of Skaith to rescue his foster father, Ashton. He does just that in volume 1, and now must lead his party back to the south of the planet to try and intercept a ship home before the leaders send them all away and destroy the space ports. Among his companions are Stark's lover Gerrith, a prophetess from Skaith; and a pack of scary Northhounds, vicious psychic dogs trained to kill with fear. Stark leads the group through dangers both environmental and Skaithian using his skills of independence, strength, confidence, and empathy. Along the way we are introduced to a whole new host of inhabitants of a planet that has grown diverse as living creatures struggle to reach into the few niches left for survival.
All that is perfectly great, and Brackett is just as good as writing sci-fi based adventure stories as ever, but where volume 2 disappoints is in the lack of involvement with Gerrith, the Skaithian seer who is a well-rounded and important female character in the first volume. It isn't because she doesn't feature in the story, because she is along for the ride almost the entire time, but somehow she is left out of almost all the dialogue and plot points except for a couple nights in bed with Stark and a brief scene at the end of the book. We can be thankful at least that that scene transitions us into the possibility of more Gerrith in volume 3. Let's hope that Brackett doesn't forget about her!
Saturday, March 30, 2013
The Walking Dead, Volume 17: Something to Fear by Robert Kirkman, Charlie Adlard, and Cliff Rathburn (2012)
I've finally caught up with the end (so far) of the Walking Dead series with The Walking Dead, Volume 17: Something to Fear by Robert Kirkman, Charlie Adlard, and Cliff Rathburn (2012) [thanks, Dan!]. Luckily after the disappointment of Volume 16, the series comes back to violent life in this most recent addition. The Saviors are more than just a hypothetical target in this volume as they strike out against Rick and his community multiple times, even after being beaten back by Andrea's sharp-shooting. They prove that they have nothing to lose and the unexpected violence and death of beloved characters that we have grown to love over the past 17 volumes is in high form here. Great twist ending and none of the hacky dialogue of the last volume. Now, write another!
Sunday, March 24, 2013
The Devil in the White City: Murder, Magic, and Madness at the Fair that Changed America by Erik Larson (2003)
People had been telling me that I would love The Devil in the White City: Murder, Magic, and Madness at the Fair that Changed America by Erik Larson (2003) for years, but a copy never came into my grasp until the lovely Dr. M bought me my very own copy for my birthday. Thanks, dude!
The Devil in the White City tells the parallel stories of Daniel Burnham, a prominent Chicago architect, and his quest to create a successful World's Fair in Chicago in 1893 (one that would even top the Paris World's Fair that unveiled the Eiffel Tower a few years before), and Herman Webster Mudgett (aka Dr. H. H. Holmes), a charming and successful psychopathic serial killer who preyed, among others, on the single women who came to enjoy Burnham's fair.
While these two men and their dedication to their very different passions is fascinating, the best part for me are the two non-human characters that lean over everything, the city of Chicago and the fair itself. The fair introduced widespread use of electric light, the Midway, the Ferris wheel, a resurgence in classical architecture, the "there's a place in France where the naked ladies dance" tune, and tons more. And Chicago: the most American of all American cities, trying to prove it's own worth against the diamond of New York City by hosting a gigantic fair that seems to be doomed to failure almost from the start.
Larson's novelistic writing style makes this the perfect history book for people who don't like history, but his extensive and diligent research, documented in pages and pages of footnotes, will make archivists and historians happy as well. Last year, my good friend Corie lent me Larson's most recent book, In the Garden of the Beasts, and I liked that one quite a bit, but I liked this one even more. Where Larson's narrative lost steam a bit towards the end of the more recent book, here the parallel stories keep the pace moving steadily all the way through.
People, you were right: I did love this book!
The Devil in the White City tells the parallel stories of Daniel Burnham, a prominent Chicago architect, and his quest to create a successful World's Fair in Chicago in 1893 (one that would even top the Paris World's Fair that unveiled the Eiffel Tower a few years before), and Herman Webster Mudgett (aka Dr. H. H. Holmes), a charming and successful psychopathic serial killer who preyed, among others, on the single women who came to enjoy Burnham's fair.
While these two men and their dedication to their very different passions is fascinating, the best part for me are the two non-human characters that lean over everything, the city of Chicago and the fair itself. The fair introduced widespread use of electric light, the Midway, the Ferris wheel, a resurgence in classical architecture, the "there's a place in France where the naked ladies dance" tune, and tons more. And Chicago: the most American of all American cities, trying to prove it's own worth against the diamond of New York City by hosting a gigantic fair that seems to be doomed to failure almost from the start.
Larson's novelistic writing style makes this the perfect history book for people who don't like history, but his extensive and diligent research, documented in pages and pages of footnotes, will make archivists and historians happy as well. Last year, my good friend Corie lent me Larson's most recent book, In the Garden of the Beasts, and I liked that one quite a bit, but I liked this one even more. Where Larson's narrative lost steam a bit towards the end of the more recent book, here the parallel stories keep the pace moving steadily all the way through.
People, you were right: I did love this book!
Thursday, March 21, 2013
The Walking Dead, Volume 16: A Larger World by Robert Kirkman, Charlie Adlard, and Cliff Rathburn (2012)
In The Walking Dead, Volume 16: A Larger World by Robert Kirkman, Charlie Adlard, and Cliff Rathburn (2012) Carl is doing better and a relative peace has come to the Alexandria Safe-Zone, but everyone can see that they are running out of food and pickings in the zombie-infested areas around the safe-zone are getting slim. Enter Jesus. Yep: Jesus. Could he be the group's savior? He certainly thinks so. After many suspicions are aired and tests are given a small group goes with him to the Hilltop community, a large group of over 200 survivors who also have their own farm. Cha ching! Jesus wants to open up a trade route between his colony and Rick's group, but a dirty secret is soon revealed: the Hilltop gang gives half of their harvest as a tariff to the mysterious and threatening gang called The Saviors (wait, who was the savior again?). Rick, naturally, decides to throw himself in the middle of everything.
I can see the need to expand the story, and when starting up a new arc there is nothing to be done but a bunch of exposition, but this volume was particularly heavy on the set-up and light on the pay off. In addition, the dialogue was hokier than usual and the drawing often seemed a little sloppy. Here is hoping for a return to form in Volume 17!
I can see the need to expand the story, and when starting up a new arc there is nothing to be done but a bunch of exposition, but this volume was particularly heavy on the set-up and light on the pay off. In addition, the dialogue was hokier than usual and the drawing often seemed a little sloppy. Here is hoping for a return to form in Volume 17!
Tuesday, March 12, 2013
The New Central Texas Gardener by Cheryl Hazeltine and Barry Lovelace (1999)
The extremely lovely Joolie lent me her copy of The New Central Texas Gardener by Cheryl Hazeltine and Barry Lovelace (1999) shortly after I started attempting to put plants in the ground and keep them alive. I have a personal history of not being particularly great with plants (although a friend gave me some bulbine almost a year ago and it is so alive that it recently started making happiness flowers), and this book helped make the idea of gardening not quite so scary.
This book is logically organized into the big topics of gardening (climate / soil / trees / shrubs / fruits & veggies / flowers / pests / etc.), and the writing is a comfortable mix of friendly and authoritative. I really appreciated having a book where everything was geared to the hot, dry, rocky, clay-filled challenges of central Texas -- in so many gardening books and magazines half of the suggestions won't really work here since they are designed for the gardening paradise to our north.
The only thing I could have asked for would be more pictures, because who wouldn't want even more lovely pictures of lovely plants, but the combination of descriptions, line drawings, and some selected color plates do an adequate job of illustrating the plants and techniques that the authors discuss. Definitely a solid reference book for those attempting to become what the title suggests.
This book is logically organized into the big topics of gardening (climate / soil / trees / shrubs / fruits & veggies / flowers / pests / etc.), and the writing is a comfortable mix of friendly and authoritative. I really appreciated having a book where everything was geared to the hot, dry, rocky, clay-filled challenges of central Texas -- in so many gardening books and magazines half of the suggestions won't really work here since they are designed for the gardening paradise to our north.
The only thing I could have asked for would be more pictures, because who wouldn't want even more lovely pictures of lovely plants, but the combination of descriptions, line drawings, and some selected color plates do an adequate job of illustrating the plants and techniques that the authors discuss. Definitely a solid reference book for those attempting to become what the title suggests.
Sunday, March 10, 2013
The Walking Dead, Volume 15: We Find Ourselves by Robert Kirkman, Charlie Adlard, and Cliff Rathburn (2011)
In The Walking Dead, Volume 15: We Find Ourselves by Robert Kirkman, Charlie Adlard, and Cliff Rathburn (2011) we get a breather after the hectically awesome events of Volume 14. Rick is nursing his son out of a coma, coordinating the reinforcement of their village, and taking over leadership of the community. And the community is adjusting to the big changes that Rick and his group have brought from the outside. Ordinarily the "treading water" volumes like this one haven't entirely done it for me, but in this case it seemed like it the characters (and readers) earned it, and while zombies weren't flying out on every page, the tension and pacing were still maintained.
Saturday, March 02, 2013
"...And Ladies of the Club" by Helen Hooven Santmyer (1982)
"Astonishing how attached one can become to a group of essentially incompatible women." (p. 625)
My Aunt Charlotte lent me her copy of "...And Ladies of the Club" by Helen Hooven Santmyer (1982) last fall and I started reading it a little after Christmas. At 1176 pages, Santmyer gives George R. R. Martin a run for his money in the longest-books-I've-read-lately category, and it took me (a fast reader) a couple months to move through this one. While it was slow going early on, like many epics, this one caught me up in the lives of its characters and now that I've finished reading it, I miss reading about what's going on in Waynesboro, Ohio.
Santmyer's epic novel follows the lives of the citizens of Waynesboro from just after the Civil War in 1868 up into the heart of the Depression in 1932. While the cast of characters is extensive (sometimes, to be honest, a little too extensive to keep track of), the main focus of the book is on Anne Alexander Gordon (the daughter of the old town doctor who marries the new town doctor, John Gordon, recently back from the war), and Sally Cochran Rauch (the daughter of the town banker who marries a German entrepreneur, Ludwig Rauch, who has recently purchased a rope factory in Waynesboro). At the start of the book, both Anne and Sally have just graduated from the Waynesboro Female College, the local high school for girls. By the time the book ends, both women have born children, watched their grandchildren grow up, lost their husbands, and ultimately, died themselves.
Providing a structure to the book and to the lives of the intellectual women of Waynesboro is the Waynesboro ladies literary society, colloquially known as "The Club." Started by the headmistress of the Female College, the club consists of local teachers, seminary professor's wives, minister's wives from the various congregations in town, and well-bred women with the time and means to pursue literary culture. The Club meets every two weeks, at which time a paper is given by one of the members on a topic chosen by the program committee. The number of members is limited by the bylaws, and when a member dies or moves away, the selection of a new member is a hot topic. The one unbreakable rule is that the women can not let politics, gossip, or personal grudges enter into the confines of the Club meeting. Everyone must get along.
For me the book was occasionally slow going, particularly as I plowed through Santmyer's loving but extensive descriptions of the town layout, architectural style of the houses, and the decoration of everyone's drawing rooms, but her talent for developing strong characters and the occasional shake to the plot (affairs! Illness! Unwed mothers! Protestants marrying Catholics!) quickly pick up the pace. As a lover of history, the opportunity to read these close observations of American life from the 1860s through the 1930s was wonderful, and I feel like I have a stronger grasp on the changes in the lives of ordinary women as the decades pass by.
Politics is also a big part of this book, both on the national and local level. Her characters and sympathies are distinctly Republican, initially because of the rift of the Civil War, and later because of their tendency to be pro-capitalists, pulling themselves up by their bootstraps. A nod is given to Socialism and the importance of treating the workers well, but in this book all factory owners are benevolent Republicans and unions just aren't necessary. Also, while Santmyer's detailed knowledge of local Ohio Republican politics was impressive, it occasionally slowed the narrative down, for this reader at least.
Santmyer herself grew up in a town much like the fictional Waynesboro. She was born in 1895, published a couple of books in the 1920s, and then spent 50 years working on this epic novel. It was published in 1982 when she was 87 and didn't sell that well until it was selected as a Book-of-the-Month Club book in 1984 and quickly went on to be a bestseller, making Santmyer the oldest best selling author at the time.
While this book is quite an investment of time, its strength is in its length and if you have a little patience, it really pays off.
My Aunt Charlotte lent me her copy of "...And Ladies of the Club" by Helen Hooven Santmyer (1982) last fall and I started reading it a little after Christmas. At 1176 pages, Santmyer gives George R. R. Martin a run for his money in the longest-books-I've-read-lately category, and it took me (a fast reader) a couple months to move through this one. While it was slow going early on, like many epics, this one caught me up in the lives of its characters and now that I've finished reading it, I miss reading about what's going on in Waynesboro, Ohio.
Santmyer's epic novel follows the lives of the citizens of Waynesboro from just after the Civil War in 1868 up into the heart of the Depression in 1932. While the cast of characters is extensive (sometimes, to be honest, a little too extensive to keep track of), the main focus of the book is on Anne Alexander Gordon (the daughter of the old town doctor who marries the new town doctor, John Gordon, recently back from the war), and Sally Cochran Rauch (the daughter of the town banker who marries a German entrepreneur, Ludwig Rauch, who has recently purchased a rope factory in Waynesboro). At the start of the book, both Anne and Sally have just graduated from the Waynesboro Female College, the local high school for girls. By the time the book ends, both women have born children, watched their grandchildren grow up, lost their husbands, and ultimately, died themselves.
Providing a structure to the book and to the lives of the intellectual women of Waynesboro is the Waynesboro ladies literary society, colloquially known as "The Club." Started by the headmistress of the Female College, the club consists of local teachers, seminary professor's wives, minister's wives from the various congregations in town, and well-bred women with the time and means to pursue literary culture. The Club meets every two weeks, at which time a paper is given by one of the members on a topic chosen by the program committee. The number of members is limited by the bylaws, and when a member dies or moves away, the selection of a new member is a hot topic. The one unbreakable rule is that the women can not let politics, gossip, or personal grudges enter into the confines of the Club meeting. Everyone must get along.
For me the book was occasionally slow going, particularly as I plowed through Santmyer's loving but extensive descriptions of the town layout, architectural style of the houses, and the decoration of everyone's drawing rooms, but her talent for developing strong characters and the occasional shake to the plot (affairs! Illness! Unwed mothers! Protestants marrying Catholics!) quickly pick up the pace. As a lover of history, the opportunity to read these close observations of American life from the 1860s through the 1930s was wonderful, and I feel like I have a stronger grasp on the changes in the lives of ordinary women as the decades pass by.
Politics is also a big part of this book, both on the national and local level. Her characters and sympathies are distinctly Republican, initially because of the rift of the Civil War, and later because of their tendency to be pro-capitalists, pulling themselves up by their bootstraps. A nod is given to Socialism and the importance of treating the workers well, but in this book all factory owners are benevolent Republicans and unions just aren't necessary. Also, while Santmyer's detailed knowledge of local Ohio Republican politics was impressive, it occasionally slowed the narrative down, for this reader at least.
Santmyer herself grew up in a town much like the fictional Waynesboro. She was born in 1895, published a couple of books in the 1920s, and then spent 50 years working on this epic novel. It was published in 1982 when she was 87 and didn't sell that well until it was selected as a Book-of-the-Month Club book in 1984 and quickly went on to be a bestseller, making Santmyer the oldest best selling author at the time.
While this book is quite an investment of time, its strength is in its length and if you have a little patience, it really pays off.
Saturday, February 23, 2013
The Walking Dead, Volume 14: No Way Out by Robert Kirkman, Charlie Adlard, and Cliff Rathburn (2011)
Oh hell yes. The Walking Dead, Volume 14: No Way Out by Robert Kirkman, Charlie Adlard, and Cliff Rathburn (2011) is the one I'd been waiting for. That whole "humans are the real monsters" thing was good for awhile, but it was about time that Kirkman got back to dancing with the ones what brung us to this spectacularly fucked up hoe down: THE ZOMBIES! And there are zombies a-plenty here when the Alexandria Safe-Zone is besieged by a zombie herd and the walls begin to fail. And besides all the zombie heads being axed, shot, and macheteed, there is plenty of time for all that juicy character development and moral quandries that we have come to love. Let's keep this up!
Thursday, February 21, 2013
Horror Films of the 1990s by John Kenneth Muir (2011)
Oh, hi. Wonder where I've been? Mostly I've been simultaneously reading two gigantic books, and Horror Films of the 1990s by John Kenneth Muir (2011) is the one that I just finished! It may seem weird to read a reference book on 1990s horror movies cover-to-cover, but I got a copy through the LibraryThing Early Reviewers program, and I couldn't in good faith write a review of it without reading the whole thing.
The 1990s are generally known as being a rather weak period for horror movies, and while there are plenty of one star reviews in Muir's book (and, actually, those are pretty entertaining to read), there are a good crop of four star movies in there as well. It helps that Muir casts his net wide -- the usual suspects like Scream or The Blair Witch Project and standard series like Children of the Corn, Friday the 13th, and Child's Play are joined by movies like Lost Highway, Silence of the Lambs, Jurassic Park, and Eyes Wide Shut. I like that Muir has a broad definition of horror, and I also like that he watched and reviewed all of these hundreds of movies by himself. He has also written compendiums on horror movies of the 1970s and 1980s, so he presumably knew what he was getting into with this one.
While the book cover couldn't look more like a high school sociology textbook, the contents are nicely organized and well illustrated. Muir starts each year off with a timeline of events and then moves into an alphabetical listing of the films reviewed from that year. Each movie includes complete cast and crew information, and many movies also include quotes from external reviews (both contemporary and retrospective), some of which contradict Muir and each other. Enveloping all this detailed information is a well-written introductory essay on the 1990s and how current events influenced the horror movies of the decade, and some intriguing appendices, including common themes from the 1990s (the police procedural, the interloper, the "meta" horror movie, etc.), movie tag lines, and Muir's personal top ten.
That personal top ten goes a long way to explaining why I liked this book so much -- it is a personal look at a huge number of genre movies. I don't always agree with Muir (I didn't like Scream at all and he loved it), but even when I disagreed with him I was interested to see his reasoning. And he always has reasons!
The book loses steam as you get into the late 1990s -- reviews are shorter and sloppier -- and sometimes Muir's quirks can get a little annoying (he is a little nit-picky about plot details) -- but overall this is a coherent and very readable overview of a huge swath of film history. Definitely recommended for horror movie fans, and since I'm married to this guy, you know that I am one of those!
The 1990s are generally known as being a rather weak period for horror movies, and while there are plenty of one star reviews in Muir's book (and, actually, those are pretty entertaining to read), there are a good crop of four star movies in there as well. It helps that Muir casts his net wide -- the usual suspects like Scream or The Blair Witch Project and standard series like Children of the Corn, Friday the 13th, and Child's Play are joined by movies like Lost Highway, Silence of the Lambs, Jurassic Park, and Eyes Wide Shut. I like that Muir has a broad definition of horror, and I also like that he watched and reviewed all of these hundreds of movies by himself. He has also written compendiums on horror movies of the 1970s and 1980s, so he presumably knew what he was getting into with this one.
While the book cover couldn't look more like a high school sociology textbook, the contents are nicely organized and well illustrated. Muir starts each year off with a timeline of events and then moves into an alphabetical listing of the films reviewed from that year. Each movie includes complete cast and crew information, and many movies also include quotes from external reviews (both contemporary and retrospective), some of which contradict Muir and each other. Enveloping all this detailed information is a well-written introductory essay on the 1990s and how current events influenced the horror movies of the decade, and some intriguing appendices, including common themes from the 1990s (the police procedural, the interloper, the "meta" horror movie, etc.), movie tag lines, and Muir's personal top ten.
That personal top ten goes a long way to explaining why I liked this book so much -- it is a personal look at a huge number of genre movies. I don't always agree with Muir (I didn't like Scream at all and he loved it), but even when I disagreed with him I was interested to see his reasoning. And he always has reasons!
The book loses steam as you get into the late 1990s -- reviews are shorter and sloppier -- and sometimes Muir's quirks can get a little annoying (he is a little nit-picky about plot details) -- but overall this is a coherent and very readable overview of a huge swath of film history. Definitely recommended for horror movie fans, and since I'm married to this guy, you know that I am one of those!
Monday, February 11, 2013
The Walking Dead, Volume 13: Too Far Gone by Robert Kirkman, Charlie Adlard, and Cliff Rathburn (2010)
Ah yes, much as I expected, things are starting to get interesting again in The Walking Dead, Volume 13: Too Far Gone by Robert Kirkman, Charlie Adlard, and Cliff Rathburn (2010). The Alexandria Safe Zone, a seemingly utopian community planned before the zombie crisis as a solar-powered mini-refuge, being filled as it was with those fallible humans, had some rifts and slime bubbling up under the surface. Naturally, our newly settled band of lovable survivors, particularly Rick, couldn't let things go unremarked (that's what we love about him!) and the big issues of justice, punishment, self-defense, and survival once again rise to the top.
Saturday, February 02, 2013
The Walking Dead, Volume 12: Life Among Them by Robert Kirkman, Charlie Adlard, and Cliff Rathburn (2010)
Well, I knew it had to happen sometime -- we couldn't just hang out with limited characters out in the open forever, but I'm a little skeptical of where things are going in The Walking Dead, Volume 12: Life Among Them by Robert Kirkman, Charlie Adlard, and Cliff Rathburn (2010) now that our characters have found a somewhat-utopian community of Alexandria in which to life their "normal" lives. The character count just about quadruples in this volume, and that in itself was a little overwhelming. Of course I know that things are never what they seem, so I'm hoping for some disruptive action in the next volume.
[Also, I was totally right about that dude.]
[Also, I was totally right about that dude.]
Monday, January 21, 2013
The Ginger Star by Leigh Brackett (1974)
I have gushed about how much I like Leigh Brackett before, so I won't go over all her awesome qualities again except to say that she never disappoints. When I saw this copy of Brackett's The Ginger Star (1974) at a second-hand store in Omaha earlier this year, I grabbed it (along with a ton of Edgar Rice Burroughs' books) right away.
Eric John Stark was born in a mining colony on Mercury. When his parents and the rest of the humans died in an accident, he was taken in and raised by the native inhabitants of the planet. Later more humans came and killed all the "savage beasts" and took Stark as a curiosity. He was caged and humiliated until being rescued and taught English and human ways by Simon Ashton. Now Ashton, a representative of the interplanetary alliance, has disappeared on a little-known planet called Skaith and Stark will do whatever it takes to find him.
Skaith is an ancient and dying planet. Many thousands of years ago it had a vibrant artistic and scientific culture. Then planetary climate changes forced people to abandon the northern cities and resettle in the South. Much of their culture was lost in the struggle for survival and over the centuries pockets of people evolved into very different beings with very different ways of life. Over it all sit the Lords Protector -- unseen and ever present -- represented throughout the planet by their Wandsmen, wizards who maintain order and punish wrongdoing. Most of the planet scrapes by to support the lifestyle of the Wandsmen and the Farers, children of the Wandsmen who never work and only seek out pleasure in sex and drugs. But the sun that Skaith orbits is dying and the planet is gradually becoming more and more uninhabitable. A group of Iranese reach out to the interplanetary alliance and ask to be transported off the planet and resettled elsewhere. This threatens to destroy the world of the Wandsmen and the Farers and they fight back against Ashton and Stark.
Brackett is like a combination of Burroughs and Bradbury -- this is inventive, classic science fiction with an exciting action/adventure bent. As Stark traverses the planet looking for Ashton, we touch on the various inhabitants -- mer-people who had their genes altered centuries ago so they could survive the planetary changes by living under the ocean, people who join together in hypnotized religious pods before killing themselves as a group, Northern miners who harvest metal from long-abandoned ancient cities, and many more. Brackett gives each character a full description and a solid purpose but doesn't dwell on any one group, sticking instead with Stark, the ultimate instinctual outsider, as he works through his single-purposed quest.
This is the first book in a trilogy, and I liked it so much that I've already bought the other two. If you come across anything by Brackett at the used bookstore, pick it up right away -- you will not be disappointed.
***
P.S. I'm working on a theory that George R.R. Martin read and liked these Skaith novels because there are so many parallels with the Game of Thrones: a hero named Stark, a modern world reacting to an ancient and partially-forgotten past, a North/South divide, tiny mystical people called the Children who live in the far north, freaky giant wolves, an abundant use of the word Southron -- definitely something to think about!
Eric John Stark was born in a mining colony on Mercury. When his parents and the rest of the humans died in an accident, he was taken in and raised by the native inhabitants of the planet. Later more humans came and killed all the "savage beasts" and took Stark as a curiosity. He was caged and humiliated until being rescued and taught English and human ways by Simon Ashton. Now Ashton, a representative of the interplanetary alliance, has disappeared on a little-known planet called Skaith and Stark will do whatever it takes to find him.
Skaith is an ancient and dying planet. Many thousands of years ago it had a vibrant artistic and scientific culture. Then planetary climate changes forced people to abandon the northern cities and resettle in the South. Much of their culture was lost in the struggle for survival and over the centuries pockets of people evolved into very different beings with very different ways of life. Over it all sit the Lords Protector -- unseen and ever present -- represented throughout the planet by their Wandsmen, wizards who maintain order and punish wrongdoing. Most of the planet scrapes by to support the lifestyle of the Wandsmen and the Farers, children of the Wandsmen who never work and only seek out pleasure in sex and drugs. But the sun that Skaith orbits is dying and the planet is gradually becoming more and more uninhabitable. A group of Iranese reach out to the interplanetary alliance and ask to be transported off the planet and resettled elsewhere. This threatens to destroy the world of the Wandsmen and the Farers and they fight back against Ashton and Stark.
Brackett is like a combination of Burroughs and Bradbury -- this is inventive, classic science fiction with an exciting action/adventure bent. As Stark traverses the planet looking for Ashton, we touch on the various inhabitants -- mer-people who had their genes altered centuries ago so they could survive the planetary changes by living under the ocean, people who join together in hypnotized religious pods before killing themselves as a group, Northern miners who harvest metal from long-abandoned ancient cities, and many more. Brackett gives each character a full description and a solid purpose but doesn't dwell on any one group, sticking instead with Stark, the ultimate instinctual outsider, as he works through his single-purposed quest.
This is the first book in a trilogy, and I liked it so much that I've already bought the other two. If you come across anything by Brackett at the used bookstore, pick it up right away -- you will not be disappointed.
***
P.S. I'm working on a theory that George R.R. Martin read and liked these Skaith novels because there are so many parallels with the Game of Thrones: a hero named Stark, a modern world reacting to an ancient and partially-forgotten past, a North/South divide, tiny mystical people called the Children who live in the far north, freaky giant wolves, an abundant use of the word Southron -- definitely something to think about!
Sunday, January 20, 2013
The Walking Dead, Volume 11: Fear the Hunters by Robert Kirkman, Charlie Adlard and Cliff Rathburn (2010)
This volume maintains the tight pacing and close observation of characters that we've had since leaving the prison. At this point, we are so deep in a morass of complicated human failure and moral conundrums that it almost doesn't matter that there are herds of zombies out there just waiting to eat our brains. If you put those herds up against fratricide, the death penalty for children, and very very talkative cannibals, it is hard to say which way of life is really the more rewarding. This volume also features the death of one of my favorite characters, but it was done with such care that I almost don't mind at all.
Sunday, January 13, 2013
Gathering of Waters by Bernice McFadden (2012)
I got this copy of Gathering of Waters by Bernice McFadden (2012) through the LibraryThing Early Reviewers program early in 2012 and I'm sad it took me so long to read it. Luckily, it got its chance when the book I'd just started was way too big to take with me in my carry-on bag on a recent plane trip, and Gathering of Waters was just the right size. I started the book at 4:30 in the morning at the Austin airport and finished it at two in the afternoon in the plane on the way to my final destination.
Gathering of Waters centers on the infamous 1955 murder of 14-year-old Emmett Till in Money, Mississippi by two white men after they say he whistled a white woman at the grocery. Instead of being weighed down by the heavy history of her centerpoint, McFadden's novel creates a structure that is epic and small, spiritual and humorous, and that acknowledges the evil that exists in humanity while resolutely turning away from it.
The book starts in the early 1900s where a young girl in Oklahoma named Doll is possessed by the spirit of a murdered prostitute. Her mother unsuccessfully tries to exorcise the spirit and gives her daughter to the local pastor to raise as part of his family. Things are fine for several years, but when the spirit awakens in Doll, she seduces the pastor, breaks up the home, and the new family ends up moving to Money, Mississippi. We then follow Doll, her daughter Hemmingway, and her husband and son (along with the parallel story of a white family in the same town whose fate is intertwined with Doll's) through a rocky life leading up to the deadly flood of 1927. Eventually we make it to the 1950s where Hemmingway's daughter, Tass, has a crush on Emmett Till, the outspoken boy from Chicago who is in Mississippi visiting his uncle. And we even move further along to the present day as Tass marries, has a family, and ages and the spirit of Emmett finds her again.
This isn't a book that I feel I can do justice with a simple plot description since there is so much more to it than what happens. McFadden's writing style is the perfect mix of plain and poetic, and the easy incorporation of spiritual and magical elements into everyday life is reminiscent of Toni Morrison in all the best ways. I really liked this one.
Gathering of Waters centers on the infamous 1955 murder of 14-year-old Emmett Till in Money, Mississippi by two white men after they say he whistled a white woman at the grocery. Instead of being weighed down by the heavy history of her centerpoint, McFadden's novel creates a structure that is epic and small, spiritual and humorous, and that acknowledges the evil that exists in humanity while resolutely turning away from it.
The book starts in the early 1900s where a young girl in Oklahoma named Doll is possessed by the spirit of a murdered prostitute. Her mother unsuccessfully tries to exorcise the spirit and gives her daughter to the local pastor to raise as part of his family. Things are fine for several years, but when the spirit awakens in Doll, she seduces the pastor, breaks up the home, and the new family ends up moving to Money, Mississippi. We then follow Doll, her daughter Hemmingway, and her husband and son (along with the parallel story of a white family in the same town whose fate is intertwined with Doll's) through a rocky life leading up to the deadly flood of 1927. Eventually we make it to the 1950s where Hemmingway's daughter, Tass, has a crush on Emmett Till, the outspoken boy from Chicago who is in Mississippi visiting his uncle. And we even move further along to the present day as Tass marries, has a family, and ages and the spirit of Emmett finds her again.
This isn't a book that I feel I can do justice with a simple plot description since there is so much more to it than what happens. McFadden's writing style is the perfect mix of plain and poetic, and the easy incorporation of spiritual and magical elements into everyday life is reminiscent of Toni Morrison in all the best ways. I really liked this one.
Thursday, January 10, 2013
The Walking Dead, Volume 10: What We Become by Robert Kirkman, Charlie Adlard, and Cliff Rathburn (2009)
As the journey to Washington, D.C. begins in The Walking Dead, Volume 10: What We Become by Robert Kirkman, Charlie Adlard, and Cliff Rathburn (2009), Rick, who has been doubting his ability to lead, butts heads big time with Abraham, the ultimate alpha-male. And somehow, in the course of this conflict, Rick starts making good decisions and the two men come clean about how broken their strength has made them. I am very into this move away from the character-heavy prison into a stripped down, more focused look at individual personalities in a moving group. Rick and his son Carl (and their relationship) are some super interesting characters. Let's do more of this in Volume 11!
[Also, I may be wrong, but I think the "scientist" in the group is full of shit. Still, I'm glad they have a purpose, even if it seems far-fetched.]
[Also, I may be wrong, but I think the "scientist" in the group is full of shit. Still, I'm glad they have a purpose, even if it seems far-fetched.]
Tuesday, January 01, 2013
The Modigliani Scandal by Ken Follett (1976)
I got this copy of The Modigliani Scandal by Ken Follett (1976) from the free bin at my library, and I'd say it was worth just about that much.
The story focuses on a group of people who have all been put on the trail of a lost Modigliani painting. Our first protagonist, Dee Sleign, is looking for a topic for her thesis while she is vacationing in France with her rich older boyfriend. Her topic of interest is drug use and art. She goes to talk to an old man who used to know all the painters, and he clues her in to the surviving painting, although he doesn't really know where it is now and can only provide the vague clue of the name of a town in Italy. The thing that makes this particular painting even more exciting to the art world is that Modigliani painted it while he was high! On hashish!
Dee is so excited about this that she sends her uncle, the owner of an art gallery, a postcard with one sentence about her possible find. He gets so excited that he naturally puts a private detective on the case to get the painting before his niece does. Then, after finding another clue, Dee sends a postcard to her friend Samantha Winacre, a popular actress. She should really stop communicating through impulsive postcards. Julian Black, a failed artist and failing gallery owner who is emasculated by his wife and her family money, sees the postcard, and goes to Italy to try and get the painting for his gallery. Plus art forgery! Sex! Drugs! Sex! Money! Europe! Art!
Follett makes the mystery of the painting secondary to the machinations of all these shallow and unlikable characters who dance around each other in predictable and uninteresting ways. His commentary on the art world is very heavy-handed, and the sex and drugs, as well as the way the women are written, really date the book. This gave me a definite Jacqueline Susann feeling, but with all the fun and tawdriness taken out.
This is the only novel by Follett that I've read, and it was one of his first. He turned into a bestselling writer of thrillers, so this obviously isn't the one to judge him on. Follett himself says as much in the preface to this edition and on his website (which you should go to just to see the author picture in the banner).
The story focuses on a group of people who have all been put on the trail of a lost Modigliani painting. Our first protagonist, Dee Sleign, is looking for a topic for her thesis while she is vacationing in France with her rich older boyfriend. Her topic of interest is drug use and art. She goes to talk to an old man who used to know all the painters, and he clues her in to the surviving painting, although he doesn't really know where it is now and can only provide the vague clue of the name of a town in Italy. The thing that makes this particular painting even more exciting to the art world is that Modigliani painted it while he was high! On hashish!
Dee is so excited about this that she sends her uncle, the owner of an art gallery, a postcard with one sentence about her possible find. He gets so excited that he naturally puts a private detective on the case to get the painting before his niece does. Then, after finding another clue, Dee sends a postcard to her friend Samantha Winacre, a popular actress. She should really stop communicating through impulsive postcards. Julian Black, a failed artist and failing gallery owner who is emasculated by his wife and her family money, sees the postcard, and goes to Italy to try and get the painting for his gallery. Plus art forgery! Sex! Drugs! Sex! Money! Europe! Art!
Follett makes the mystery of the painting secondary to the machinations of all these shallow and unlikable characters who dance around each other in predictable and uninteresting ways. His commentary on the art world is very heavy-handed, and the sex and drugs, as well as the way the women are written, really date the book. This gave me a definite Jacqueline Susann feeling, but with all the fun and tawdriness taken out.
This is the only novel by Follett that I've read, and it was one of his first. He turned into a bestselling writer of thrillers, so this obviously isn't the one to judge him on. Follett himself says as much in the preface to this edition and on his website (which you should go to just to see the author picture in the banner).
Saturday, December 29, 2012
The Walking Dead, Volume 9: Here We Remain by Robert Kirkman, Charlie Adlard, and Cliff Rathburn (2010)
In The Walking Dead, Volume 9: Here We Remain by Robert Kirkman, Charlie Adlard, and Cliff Rathburn (2010), the bloodbath of Volume 8 really pays off. After their escape from the fighting at the prison, Rick and his son Carl spend an unusually long time as the only characters in the comic. This section of the book, with Rick getting sick and Carl coming into his own, has been one of my favorite parts of the series so far, and the heartbreaking surprise of the dead telephone topped it off perfectly. Eventually they rejoin some of our old friends, but the character list has been greatly reduced from the community at the prison. The arrival at the end of the book of three new characters with an intriguingly hard-to-believe proposition points to the possibility of some interesting doings a'transpiring in Volume 10.
Thursday, December 27, 2012
A Dance with Dragons by George R. R. Martin (2011)
The always amazing J.Lowe kindly loaned me A Dance with Dragons by George R. R. Martin (2011), the fifth (and last published) book in the Song of Ice and Fire series and even though it took me a while to attack this monster of a novel, I'm so glad he did.
You might remember that in the fourth book, Martin cut his cast of characters in half and only focused on part of the world of the novel. This fifth book picks up what the other half of our characters were doing and runs concurrently to the fourth book for the first two thirds or so of the novel and then brings everything together and moves into the future. Since Martin added several new important characters this time around and only killed off (or did he?) a few of our old buddies, he is going to have quite the menagerie to deal with in book six.
Like many others, I enjoyed this book more than the one before (although that one had its moments) not the least because my favorite character, Tyrion, is back in the spotlight in this volume. I can't get enough of that guy. And, without busting out any spoilers, I think that is about as far as I can get with this review. [This series and the Walking Dead comics are really stretching my ability to talk about something without talking about it in detail...]
Now that I'm caught up with Martin, I'm not sure what I'm supposed to do with myself while I wait for the 6th book to be release. Watch the TV series, I guess?
You might remember that in the fourth book, Martin cut his cast of characters in half and only focused on part of the world of the novel. This fifth book picks up what the other half of our characters were doing and runs concurrently to the fourth book for the first two thirds or so of the novel and then brings everything together and moves into the future. Since Martin added several new important characters this time around and only killed off (or did he?) a few of our old buddies, he is going to have quite the menagerie to deal with in book six.
Like many others, I enjoyed this book more than the one before (although that one had its moments) not the least because my favorite character, Tyrion, is back in the spotlight in this volume. I can't get enough of that guy. And, without busting out any spoilers, I think that is about as far as I can get with this review. [This series and the Walking Dead comics are really stretching my ability to talk about something without talking about it in detail...]
Now that I'm caught up with Martin, I'm not sure what I'm supposed to do with myself while I wait for the 6th book to be release. Watch the TV series, I guess?
Sunday, December 23, 2012
The Walking Dead, Volume 8: Made to Suffer by Robert Kirkman, Charlies Adlard, and Cliff Rathburn (2010)
The promise of rough chuckles for Volume 8 after the calm of Volume 7 was no joke: in The Walking Dead, Volume 8: Made to Suffer by Robert Kirkman, Charlies Adlard, and Cliff Rathburn (2010) things get pretty real pretty fast. The Governor, the most uncomplicatedly evil creation in the entire book, has set his eyes (well, eye) on our heroes who are trying to build a community behind the safety of their prison walls. That community is blasted apart quickly, although the group is much more of a match for The Governor and his crew of duped townlings than they expected. Heroes die. Attackers die. A bunch of zombies die. In fact, only a handful of our named characters appear to survive to walk the pages of Volume 9. I get the feeling that Kirkman had played out the prison scenario and needed to inject some excitement into his narrative, so he went all Game of Thrones, killed off some unexpectedly major characters, and waited to see what would happen next. And it got my attention, I'm definitely ready to follow him into the next volume.
Wednesday, December 19, 2012
Householder's Survival Manual: How to Take Care of Everything in Your Home, edited by Nancy Shuker (1999)
I bought this copy of the Reader's Digest Householder's Survival Manual: How to Take Care of Everything in Your Home, edited by Nancy Shuker (1999) at Half Price Books as an impulse buy shortly after we bought our new house. There are a few drawbacks: since it was written in 1999, it is pretty dated (particularly the section on buying electronics and anything that mentions computers); it is geared towards a Reader's Digest audience that I am not a part of (old people?); and the writing style is often clunky and choppy (and sometimes just odd: "The choices available in home flooring today are wide and wonderful.") Still, I am a huge pushover for helpful hints and basic reference, and this book covers everything from electricity and plumbing to stain removal and major appliance selection. Much of the information here can be found with a quick internet search, but when you want a simple explanation it is often more satisfying to consult an index. At least for me! I think I'll hang on to this one until a better general house repair reference book comes along...
Saturday, December 15, 2012
The Walking Dead, Volume 7: The Calm Before by Robert Kirkman, Charlie Adlard and Cliff Rathburn (2010)
As you might guess from the title of The Walking Dead, Volume 7: The Calm Before by Robert Kirkman, Charlie Adlard and Cliff Rathburn (2010), things are relatively calm in this volume and look to get rather hairy in volume 8. At the beginning of the volume, everyone is reunited at the prison and Lori is ready to give birth to her baby any day. Luckily they brought a woman with some medical training back from Woodbury, and she gets to setting up the prison infirmary as a birthing center. To make things even more calm and happy, the crops are coming in, they get a bunch of food from an abandoned Walmart (not without some trouble, though), and Glen and Maggie are married by Maggie's father in the prison cafeteria. All so happy! And even though some rough things come (zombie attack, amputation, suicide by zombie), we are reminded of how calm things are by the characters constantly remarking on how nice things have been lately. It is no surprise that after all this niceness and treading of water, a big bucket of evil shows up on their doorstep at the end of the volume. To be continued....
Tuesday, December 11, 2012
Neil Sperry's Complete Guide to Texas Gardening by Neil Sperry (1991)
This is one I actually finished quite a while ago, but since it took me so long to read it I completely forgot to write up a post. My long reading time has nothing to do with the quality or usefulness of Neil Sperry's Complete Guide to Texas Gardening by Neil Sperry (1991), but more to do with the fact that I checked it out from the library twice, renewed it twice, and mostly read it while I was eating my cereal in the morning.
This is a good basic reference to Texas gardening -- particularly the extensive encyclopedias of flowers, plants, shrubs, and trees, complete with photographs, identifying traits, and general care. This second edition was published in 1991 and could probably stand an update to incorporate some more organic and water-conscious gardening techniques. Still, there is a lot to love here and I could see myself buying a reference copy of this book someday as my gardening aspirations grow.
Oh yes, I have gardening aspirations! Right now they are very small and mostly contained in a small metal tub that I've been using to grow a winter garden of lettuce, cilantro, and parsley. Check out my first mini-harvest! Everything I know I learned from my awesome friend Joolie, and beyond her tutelage, most of my techniques have been trial and error. Still, I have managed to grow edible food from seeds in dirt I put into a container by myself and I'm pretty excited to have gotten this far. Maybe in the spring I'll go crazy and try some herbs!
This is a good basic reference to Texas gardening -- particularly the extensive encyclopedias of flowers, plants, shrubs, and trees, complete with photographs, identifying traits, and general care. This second edition was published in 1991 and could probably stand an update to incorporate some more organic and water-conscious gardening techniques. Still, there is a lot to love here and I could see myself buying a reference copy of this book someday as my gardening aspirations grow.
Oh yes, I have gardening aspirations! Right now they are very small and mostly contained in a small metal tub that I've been using to grow a winter garden of lettuce, cilantro, and parsley. Check out my first mini-harvest! Everything I know I learned from my awesome friend Joolie, and beyond her tutelage, most of my techniques have been trial and error. Still, I have managed to grow edible food from seeds in dirt I put into a container by myself and I'm pretty excited to have gotten this far. Maybe in the spring I'll go crazy and try some herbs!
Tuesday, November 27, 2012
The Walking Dead, Volume 6: This Sorrowful Life by Robert Kirkman, Charlie Adlard, and Cliff Rathburn (2010)
I had to take a brief break from The Walking Dead series after the last volume, but I couldn't stay away from those crazy zombies for long, so I'm back with The Walking Dead, Volume 6: This Sorrowful Life by Robert Kirkman, Charlie Adlard, and Cliff Rathburn (2010). I'm in too deep for plot summaries, and you wouldn't want me to spoil it for you anyway, so instead I'll work with some broad themes. Revenge. Reunion. Hope. Murder. Morality. And honestly, almost zero zombies in this one. I'm not always the biggest fan of revenge as motivation, but after the horribleness of the last volume, this was pretty darn tolerable (even though equally as horrible). Read on, friends, read on!
Thursday, November 15, 2012
The City and the Pillar by Gore Vidal (1948)
My book club (go DAFFODILS!) had the smart idea of reading a book from a decade that we hadn't read anything from yet as a group. Happily for me we ended up with the 1940s, one of my favorite literary periods. Many many many books were suggested, but the final scientifically voted in winner was The City and the Pillar by Gore Vidal (1948).
Vidal's third novel is infamous for being one of the first mainstream novels to portray a sympathetic gay man who was a regular "All-American" guy. Jim Willard and Bob Ford are one year apart in high school, both athletes, and best friends. Bob goes with a lot of girls, but Jim is more attracted to Bob. One night after Bob's graduation, and just before he goes off to join the Merchant Marine, Jim and Bob go camping at an isolated cabin and after a day of skinny dipping and a night of wrestling by the fire, the two of them have sex. Bob leaves, promising that he will write and that Jim will join him at sea after he graduates the next year, but after a couple of letters the notes from sea dry up.
Jim graduates and disappoints his parents by ditching his college plans and heading to New York to join the Merchant Marine and find Bob. He doesn't find his friend, but he does find a position on a ship, which he later abandons for California. He has a lot of casual sex and a few more serious relationships (one with a famous actor, and one with a semi-famous writer), but in the back of his mind he is always waiting for Bob. When, at the end of the book, he finally gets to spend another night alone with his best friend, things do not turn out the way he planned.
I liked this book. The straightforward prose is misleadingly simple, and hides a interesting structure and some good character development. Although Jim is our protagonist, we never get a really good sense of him as a character, and I think that is deliberate. Instead, the side characters are filled with details and dimensions that end up teaching us about Jim.
Vidal revised this novel in the mid-1960s and his biggest change was altering the climactic last chapter. It is still dark and dramatic, but different. I'll be interested to talk that out with my fellow DAFFODILS...
[You can read a bit about the reception of the book and Vidal's views on writing it here.]
Vidal's third novel is infamous for being one of the first mainstream novels to portray a sympathetic gay man who was a regular "All-American" guy. Jim Willard and Bob Ford are one year apart in high school, both athletes, and best friends. Bob goes with a lot of girls, but Jim is more attracted to Bob. One night after Bob's graduation, and just before he goes off to join the Merchant Marine, Jim and Bob go camping at an isolated cabin and after a day of skinny dipping and a night of wrestling by the fire, the two of them have sex. Bob leaves, promising that he will write and that Jim will join him at sea after he graduates the next year, but after a couple of letters the notes from sea dry up.
Jim graduates and disappoints his parents by ditching his college plans and heading to New York to join the Merchant Marine and find Bob. He doesn't find his friend, but he does find a position on a ship, which he later abandons for California. He has a lot of casual sex and a few more serious relationships (one with a famous actor, and one with a semi-famous writer), but in the back of his mind he is always waiting for Bob. When, at the end of the book, he finally gets to spend another night alone with his best friend, things do not turn out the way he planned.
I liked this book. The straightforward prose is misleadingly simple, and hides a interesting structure and some good character development. Although Jim is our protagonist, we never get a really good sense of him as a character, and I think that is deliberate. Instead, the side characters are filled with details and dimensions that end up teaching us about Jim.
Vidal revised this novel in the mid-1960s and his biggest change was altering the climactic last chapter. It is still dark and dramatic, but different. I'll be interested to talk that out with my fellow DAFFODILS...
[You can read a bit about the reception of the book and Vidal's views on writing it here.]
Tuesday, November 13, 2012
The Walking Dead, Volume 5: The Best Defense by Robert Kirkman, Charlie Adlard, and Cliff Rathburn (2010)
Whew. The Walking Dead, Volume 5: The Best Defense by Robert Kirkman, Charlie Adlard, and Cliff Rathburn (2010) is a fast read, but not an easy one. A subset of our heroes watch a helicopter fly over them and then crash, and things to real bad real fast when they go explore the crash site. Once again zombies aren't really the problem, humans are. I can take a little violence and cruelty, but this one was about at my limit. I shall power through, guys.
Sunday, November 11, 2012
Beyond the Farthest Star by Edgar Rice Burroughs (1964)
Beyond the Farthest Star by Edgar Rice Burroughs was published in 1964 by his estate, fourteen years after his death. It consists of two related novellas -- the first, "Adventure on Poloda" had been published in a magazine in 1942, but while the second, "Tangor Returns," was probably written at about the same time, it wasn't published until it was found in Burroughs papers. It seems likely that Burroughs intended this story to take off into a series, and it has the same hallmarks as the John Carter or Pellucidar novels (through extraordinary circumstances, an all-American guy finds himself in a strange world and is initially threatened but ends up taking care of business).
In Beyond the Farthest Star, our American hero is shot down over Germany during WWII, feels himself dying, and then wakes up on another planet, completely naked. He stands up and sees a beautiful woman in a crazy glittery jumpsuit. She screams and runs and then five men run out from under a small hill and take him captive. He has somehow been transported to Poloda, a planet so far away from Earth that it really is "beyond the farthest star," and a planet that has been at war for over 100 years.
Our hero had the good luck to magically appear in the country of Unis, the good guys in the war, and the Unisians give him the name of Tangor. The Unisians would love to have peace, but they are stuck defending themselves against the ever-more-aggressive Kapars who have subjugated the rest of the planet. Over the last century of warfare, the Unisians have dug out underground cities with buildings that can be raised up to the surface and then lowered when there is a raid by the Kapars. Lucky for Unis, Tangor was a good soldier and excellent pilot back on Earth and he quickly joins the forces defending Unis from the air, and proves himself a mega-hero.
In the second novella, Tangor is approached by a Unisian woman who sympathizes with the Kapars and wants to defect to their country and double-cross the Unisians. Tangor tells his superiors, who have him go along with her plan and work as a double-agent in Kapar. Kapar is an extremely repressive society, ruled by a secret police and torn apart by fear with neighbors and family informing on one another. Naturally, Tangor gets into some tough spots in Kapar, but ultimately gets the job done.
These aren't the most polished Burroughs stories, but they are an interesting product of the war years and come off as more political than much of his other work. The anti-war sentiments and the theme of fighting against a Stalinesque dictatorship are hard to miss. You should definitely read these if you are a Burroughs completest, or if you just like old science fiction novels with naked men on the cover.
In Beyond the Farthest Star, our American hero is shot down over Germany during WWII, feels himself dying, and then wakes up on another planet, completely naked. He stands up and sees a beautiful woman in a crazy glittery jumpsuit. She screams and runs and then five men run out from under a small hill and take him captive. He has somehow been transported to Poloda, a planet so far away from Earth that it really is "beyond the farthest star," and a planet that has been at war for over 100 years.
Our hero had the good luck to magically appear in the country of Unis, the good guys in the war, and the Unisians give him the name of Tangor. The Unisians would love to have peace, but they are stuck defending themselves against the ever-more-aggressive Kapars who have subjugated the rest of the planet. Over the last century of warfare, the Unisians have dug out underground cities with buildings that can be raised up to the surface and then lowered when there is a raid by the Kapars. Lucky for Unis, Tangor was a good soldier and excellent pilot back on Earth and he quickly joins the forces defending Unis from the air, and proves himself a mega-hero.
In the second novella, Tangor is approached by a Unisian woman who sympathizes with the Kapars and wants to defect to their country and double-cross the Unisians. Tangor tells his superiors, who have him go along with her plan and work as a double-agent in Kapar. Kapar is an extremely repressive society, ruled by a secret police and torn apart by fear with neighbors and family informing on one another. Naturally, Tangor gets into some tough spots in Kapar, but ultimately gets the job done.
These aren't the most polished Burroughs stories, but they are an interesting product of the war years and come off as more political than much of his other work. The anti-war sentiments and the theme of fighting against a Stalinesque dictatorship are hard to miss. You should definitely read these if you are a Burroughs completest, or if you just like old science fiction novels with naked men on the cover.
Monday, November 05, 2012
The Walking Dead, Volume 4: The Heart's Desire by Robert Kirkman, Charlie Adlard and Cliff Rathburn (2010)
Things are still hopping in The Walking Dead, Volume 4: The Heart's Desire by Robert Kirkman, Charlie Adlard and Cliff Rathburn (2010). After narrowly escaping a mutiny that would have kicked them out of their prison sanctuary, the group settles in and begins planting crops to help supplement their diet of canned food and peanut butter. A new woman enters the scene, having fought her way alone through zombies for much longer than anyone else, and she quickly shakes things up by bypassing Carol and making moves on Tyreese. In a small group like this, little conflicts quickly explode and by the end it is hard to tell who is actually more dangerous: the humans or the zombies. Some nice moral quandaries in this one as well -- this is great stuff!
Friday, November 02, 2012
Purgatory by Tomás Eloy MartÃnez (2011)
I'm endeavoring to catch up on my backlog of books from the LibraryThing Early Reviewers program before I ask for more (just three more to go!), and the latest one on the pile is the beautifully written novel Purgatory by Tomás Eloy MartÃnez (2011).
Purgatory is right up my alley -- Latin American fiction with a historical basis and just a hint of that magical realism stuff. This is MartÃnez's final novel, published before died in 2010, and written in Argentina where he had returned after 30 years in exile. Our main characters are also exiles -- Emilia, the daughter of a powerful man in charge of propaganda under the dictatorship, and Simón, her husband and fellow cartographer, who has been a desaparecido (one of the disappeared) for 30 years.
Emilia has left her homeland, and left behind her decades-long search for her husband, who she refuses to believe was killed by the military, and gone to work in the United States. One day at lunch she sees her lost husband in the restaurant. Oddly enough he looks just like he did the day she last saw him 30 years ago. They leave the restaurant together and she is embarrassed that she has aged into a 60 year old woman, but Simón doesn't seem to mind.
The novel then leisurely moves between Emilia and her friend, an Argentinian writer who is also living in the U.S., and between the present and the past. Things are explained, confused, reworked, and thought through, and MartÃnez does a masterful job of bringing the reader through Emelia's journey through the non-sequential paths of memory, imagination, and hope.
Very recommended -- this is a well-paced, moving, and enjoyable read.
Purgatory is right up my alley -- Latin American fiction with a historical basis and just a hint of that magical realism stuff. This is MartÃnez's final novel, published before died in 2010, and written in Argentina where he had returned after 30 years in exile. Our main characters are also exiles -- Emilia, the daughter of a powerful man in charge of propaganda under the dictatorship, and Simón, her husband and fellow cartographer, who has been a desaparecido (one of the disappeared) for 30 years.
Emilia has left her homeland, and left behind her decades-long search for her husband, who she refuses to believe was killed by the military, and gone to work in the United States. One day at lunch she sees her lost husband in the restaurant. Oddly enough he looks just like he did the day she last saw him 30 years ago. They leave the restaurant together and she is embarrassed that she has aged into a 60 year old woman, but Simón doesn't seem to mind.
The novel then leisurely moves between Emilia and her friend, an Argentinian writer who is also living in the U.S., and between the present and the past. Things are explained, confused, reworked, and thought through, and MartÃnez does a masterful job of bringing the reader through Emelia's journey through the non-sequential paths of memory, imagination, and hope.
Very recommended -- this is a well-paced, moving, and enjoyable read.
Saturday, October 27, 2012
The Walking Dead, Volume 3: Safety Behind Bars by Robert Kirkman, Charlie Adlard, and Cliff Rathburn (2009)
Holy shit, guys. This one was the best one yet.
In The Walking Dead, Volume 3: Safety Behind Bars by Robert Kirkman, Charlie Adlard, and Cliff Rathburn (2009), our team finds an abandoned prison complex (well abandoned except for a whole ton of zombies), and decide to clean it up and make it their home. The place has everything: the security of multiple fences, a huge store of canned food, beds aplenty, and the unexpected bonus of a few surviving hardened criminals holing up in the cafeteria. Everyone becomes one big group, including some survivors from the farm in the last volume, and then things get freaking crazy.
This volume is certainly filled with human on zombie, zombie on human, and human on human violence, but beyond that our characters begin really exploring their boundaries and their relationships with one another. This is the most morally complex entry in the series so far, and if this combination of complex morality and unexpected violence keep up, then sign me up for 13 more volumes!
In The Walking Dead, Volume 3: Safety Behind Bars by Robert Kirkman, Charlie Adlard, and Cliff Rathburn (2009), our team finds an abandoned prison complex (well abandoned except for a whole ton of zombies), and decide to clean it up and make it their home. The place has everything: the security of multiple fences, a huge store of canned food, beds aplenty, and the unexpected bonus of a few surviving hardened criminals holing up in the cafeteria. Everyone becomes one big group, including some survivors from the farm in the last volume, and then things get freaking crazy.
This volume is certainly filled with human on zombie, zombie on human, and human on human violence, but beyond that our characters begin really exploring their boundaries and their relationships with one another. This is the most morally complex entry in the series so far, and if this combination of complex morality and unexpected violence keep up, then sign me up for 13 more volumes!
Thursday, October 25, 2012
In the Garden of Beasts by Erik Larson (2011)
A while ago (like before we bought our house), my lovely friend Corie lent me a copy of In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin by Erik Larson (2011), and I lamely have just gotten around to reading it. I really like history books, and I've been interested in reading Larson for quite some time. In fact, I might be one of the only people in the world who hasn't read The Devil in the White City yet (but I will someday soon, I swear!).
In the Garden of Beasts covers the Dodd family's time in Berlin in the mid-1930s, right at the start of Hitler's chancellorship and the increasing power of the Nazi party. William Dodd was a history professor at the University of Chicago who thought an ambassadorship would be a good way to get a break from the hectic academic lifestyle so that he could focus on his multi-volume history of the South. Through an odd series of events, including the fact that no one else wanted it, he was assigned by Roosevelt to be the Ambassador to Germany and he and his wife and two adult children, Martha and Bill, packed up house and moved to Berlin.
As you might expect, he got very little time to work on his book.
The Nazi's already had quite a bit of power in Germany at the time and reports of attacks on Jews and other groups of people, including American citizens, were rampant. The US was feeling very isolationist after WW1, and didn't want to get involved, plus they were pretty sure that Germany would eventually pay all the debt they owed the US as long as we didn't poke them too hard about the Nazi issue. Dodd, a man with no diplomatic experience, and who didn't fit the wealthy, well-traveled, high society ambassadorial model, was an interesting choice for the job.
Dodd vows to live within his salary in solidarity with his fellow Depression-era Americans, and quickly rubbed his ambassadorial staff the wrong way with his penny pinching ways. He hated state dinners, mandatory cocktail parties, and the complicated rituals of calling on members of the Nazi party and foreign dignitaries.
Dodd's daughter, Martha, on the other hand, loved the social life in Berlin and quickly became the talk of the town. Martha was in her 20s, had had several passionate affairs, and had recently been secretly married. When the break-up of her marriage and her father's appointment to Berlin coincided, she easily made the decision to go with him. Once there she embraced every part of the Berlin social scene, including all those blond, handsome Nazis.
Both William and Martha were initially charmed by Berlin and believed that the reports of violence and oppression were exaggerated. Naziism to them seemed like a mix of good health, love of country, and comradery. As the family became more involved in day-to-day life in Germany, however, the attractive facade quickly faded.
This book is well written and nicely researched, and it draws extensively on archival collections of correspondence as well as Martha's published and unpublished memoirs. The first chunk of the book moves more quickly than the last third or so, where things start to run out of steam, but overall the pacing is good. Having learned so much about WWII and the Holocaust, it was interesting to read a close study of the early years of Hitler's rule. Definitely worth a read. And don't skip the footnotes!
***
I just discovered that a film version of the book is in pre-production starring Tom Hanks and (possibly) Natalie Portman. With the French guy who directed The Artist directing! Very interesting....
In the Garden of Beasts covers the Dodd family's time in Berlin in the mid-1930s, right at the start of Hitler's chancellorship and the increasing power of the Nazi party. William Dodd was a history professor at the University of Chicago who thought an ambassadorship would be a good way to get a break from the hectic academic lifestyle so that he could focus on his multi-volume history of the South. Through an odd series of events, including the fact that no one else wanted it, he was assigned by Roosevelt to be the Ambassador to Germany and he and his wife and two adult children, Martha and Bill, packed up house and moved to Berlin.
As you might expect, he got very little time to work on his book.
The Nazi's already had quite a bit of power in Germany at the time and reports of attacks on Jews and other groups of people, including American citizens, were rampant. The US was feeling very isolationist after WW1, and didn't want to get involved, plus they were pretty sure that Germany would eventually pay all the debt they owed the US as long as we didn't poke them too hard about the Nazi issue. Dodd, a man with no diplomatic experience, and who didn't fit the wealthy, well-traveled, high society ambassadorial model, was an interesting choice for the job.
Dodd vows to live within his salary in solidarity with his fellow Depression-era Americans, and quickly rubbed his ambassadorial staff the wrong way with his penny pinching ways. He hated state dinners, mandatory cocktail parties, and the complicated rituals of calling on members of the Nazi party and foreign dignitaries.
Dodd's daughter, Martha, on the other hand, loved the social life in Berlin and quickly became the talk of the town. Martha was in her 20s, had had several passionate affairs, and had recently been secretly married. When the break-up of her marriage and her father's appointment to Berlin coincided, she easily made the decision to go with him. Once there she embraced every part of the Berlin social scene, including all those blond, handsome Nazis.
Both William and Martha were initially charmed by Berlin and believed that the reports of violence and oppression were exaggerated. Naziism to them seemed like a mix of good health, love of country, and comradery. As the family became more involved in day-to-day life in Germany, however, the attractive facade quickly faded.
This book is well written and nicely researched, and it draws extensively on archival collections of correspondence as well as Martha's published and unpublished memoirs. The first chunk of the book moves more quickly than the last third or so, where things start to run out of steam, but overall the pacing is good. Having learned so much about WWII and the Holocaust, it was interesting to read a close study of the early years of Hitler's rule. Definitely worth a read. And don't skip the footnotes!
***
I just discovered that a film version of the book is in pre-production starring Tom Hanks and (possibly) Natalie Portman. With the French guy who directed The Artist directing! Very interesting....
Sunday, October 21, 2012
The Walking Dead, Volume 2: Miles Behind Us by Robert Kirkman, Charlie Adlard and Cliff Rathburn (2009)
The fun continues!
In the second volume of the series, The Walking Dead, Volume 2: Miles Behind Us by Robert Kirkman, Charlie Adlard and Cliff Rathburn (2009), the struggle for survival of Rick Grimes, his wife and son, and their random group of road companions continues. Kirkman doesn't let anyone get too comfortable: pregnancy, gun shot wounds, sex (and lack of sex), and human nature all influence our characters, and unexpected zombie attacks lurk around every corner. Of particular note in this volume is the affect of the inflexible moral code of a farmer who helps the group but ends up hurting his own family.
Lots to love here -- can't wait for Volume 3!
In the second volume of the series, The Walking Dead, Volume 2: Miles Behind Us by Robert Kirkman, Charlie Adlard and Cliff Rathburn (2009), the struggle for survival of Rick Grimes, his wife and son, and their random group of road companions continues. Kirkman doesn't let anyone get too comfortable: pregnancy, gun shot wounds, sex (and lack of sex), and human nature all influence our characters, and unexpected zombie attacks lurk around every corner. Of particular note in this volume is the affect of the inflexible moral code of a farmer who helps the group but ends up hurting his own family.
Lots to love here -- can't wait for Volume 3!
Wednesday, October 17, 2012
Words in Stone / Pierre écrite by Yves Bonnefoy (1965)
A Stone
A fire goes before us.
For a moment I glimpsed your nape, your face,
And then only the torch,
Only the massive fire, the surge of the dead.
Ember, you who fall away from the flame
In the evening light,
O presence:
Gather us under your furtive arch
For a dark celebration.
(Yves Bonnefoy, Words in Stone / Pierre écrite, p. 97)
My next taste of Harold Bloom's Western Canon list is Yves Bonnefoy's book of poetry, Words in Stone / Pierre écrite (1965, Translated by Susanna Lang, 1976).
Bonnefoy's poems use deceptively simple, repetitive words to explore a world that is natural and mysterious, open and hidden. While I don't speak French, Lang's translation has a smooth rhythm and having the French original on facing pages gives even a non-speaker a sense of Bonnefoy's original metre and rhyme.
I've said this before, but I really do need to become a better poetry reader. I took this one in in small chunks in the mornings, and re-read most of the poems at least three times, and I still feel like large chunks of Bonnefoy's meaning slipped through my fingers. I guess I just need more canonical practice...
Tuesday, October 09, 2012
The Walking Dead, Volume 1: Days Gone Bye by Robert Kirkman and Tony Moore (2007)
My amazing friend Dan recently lent me the first half of The Walking Dead comics series by Robert Kirkman and Tony Moore, and I just finished The Walking Dead, Volume 1: Days Gone Bye (2007). I'm having to pace myself and not just drop everything else I'm reading to dive in to zombieland.
In this first volume (which contains issues #1-6 of the original comics), our hero, Officer Rick Grimes, is shot in the line of duty and taken to the hospital. Some time later he wakes up in his hospital bed, and there isn't anyone else there -- anyone else still alive, that is. Grimes is a survivor who quickly assesses the situation, finds a couple of other survivors, and heads for home. When he learns that his wife and son aren't at his house, he suspects the worst, but hopes that they might have gone to Atlanta where the government promised safety from the zombie epidemic. What follows is a horse-riding, zombie killing, creeptastic ride through the early part of the zombie apocalypse.
The Walking Dead doesn't take the easy route of gory zombie action (although there is some of that) and instead provides a meaty, character-driven plot line. People here do things for a reason, even when that reason is an unexpected one. The plot is crisp, the drawings amazing, and I'm excited to read more!
In this first volume (which contains issues #1-6 of the original comics), our hero, Officer Rick Grimes, is shot in the line of duty and taken to the hospital. Some time later he wakes up in his hospital bed, and there isn't anyone else there -- anyone else still alive, that is. Grimes is a survivor who quickly assesses the situation, finds a couple of other survivors, and heads for home. When he learns that his wife and son aren't at his house, he suspects the worst, but hopes that they might have gone to Atlanta where the government promised safety from the zombie epidemic. What follows is a horse-riding, zombie killing, creeptastic ride through the early part of the zombie apocalypse.
The Walking Dead doesn't take the easy route of gory zombie action (although there is some of that) and instead provides a meaty, character-driven plot line. People here do things for a reason, even when that reason is an unexpected one. The plot is crisp, the drawings amazing, and I'm excited to read more!
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